翻訳と辞書
Words near each other
・ Mario Pérez Zúñiga
・ Mario Quezada
・ Mario Quintero
・ Mario R. García Palmieri
・ Mario R. Ramil
・ Mario Racco
・ Mario Muñoz
・ Mario Méndez
・ Mario Méndez (Mexican footballer)
・ Mario Méndez (Panamanian footballer)
・ Mario Napolitano
・ Mario Nardone
・ Mario Nasalli Rocca di Corneliano
・ Mario Nascimbene
・ Mario Navarro
Mario Naves
・ Mario Negri Institute for Pharmacological Research
・ Mario Netas
・ Mario Neunaber
・ Mario Neves (basketball)
・ Mario Nicolis di Robilant
・ Mario Nigro
・ Mario Noremberg
・ Mario Notaro
・ Mario Novelli
・ Mario Nugara
・ Mario Nuzzi
・ Mario Nuzzolese
・ Mario Núñez
・ Mario O'Hara


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Mario Naves : ウィキペディア英語版
Mario Naves

Mario Naves-- (b. 1961, Salt Lake City, Utah) is an American artist, art critic, professor and blogger.
Mario Naves studied painting and drawing at the University of Utah, receiving a Bachelor of Fine Arts degree in 1984. He subsequently studied at Pratt Institute, where he earned a Master of Fine Arts degree in 1987, having majored in painting with a minor emphasis in art criticism.
Mario Naves stated that his works-on-paper are "painting by other means." Artist and critic Maureen Mullarkey wrote that these "means are simple. Paint is dripped, scraped, scumbled, sponged, patted and brushed on pieces of paper that are then torn and rearranged. His technique preserves the accidental aspect of the painting process while it subordinates all randomness to the cognitive, disciplined basis of traditional painting."〔"Mario Naves at Elizabeth Harris Gallery", Maureen Mullarkey, ArtCritical.Com, September 26, 2003.〕
Naves' art has been described by The New York Times as "delicate and gorgeous"〔"In Context: Collage and Abstraction", Benjamin Genocchio, The New York Times, July 27, 2007.〕 and by Art in America as "joyous, sophisticated and charming."〔"Mario Naves at Elizabeth Harris Gallery", Lance Esplund, Art in America, January 2004.〕 The New York Sun stated that Naves "knows from within how a hand functions as an extension of the eye. The refinement of his touch and the sensibility that drives it is a pleasure to see."〔"Bits and Pieces Brought Together", David Cohen, The New York Sun, September 4, 2008.〕
In recent years, Naves returned to painting directly on canvas and panel. In response to his 2013 exhibition of paintings at Elizabeth Harris Gallery, John Goodrich wrote of Naves's "change in medium, and a more efficient atack that privileges compositions over texture", ultimately describing the shift from collage to painting as "revelatory".〔"Surface Rhythms: Mario Naves’ Rewarding New Direction”, ArtCritical, January 26, 2013.〕
Mario Naves' criticism has appeared in ARTS, The New Criterion, The Wall Street Journal, New Art Examiner, City Arts and Slate. His weekly column on the New York gallery scene, "Currently Hanging", appeared in The New York Observer from 1999 to 2009. It was at the Observer that Naves established himself as a "maverick dissenter" whose "opinions are as bright and punchy as any editor could wish for."〔Cohen, The New York Sun, September 4, 2008.〕
Naves' views earned enmity and accolades. ArtNet.Com and Time Out New York cited Naves as the "worst New York art critic".〔"Another Newspaper, More Bad Art Criticism", ArtNet.Com, April 16, 2002.〕 Jerry Saltz, writing in The Village Voice, twice took Naves to task for his "priggish, stuffy" and "self-congratulatory bitch-slapping."〔Critiquing The Critics", Time Out New York, December 7–13, 2006.〕〔"Critical Condition", Jerry Saltz, The Village Voice, September 10–16, 2003.〕〔"Idiot Wind", Jerry Saltz, The Village Voice, February 24, 2006.〕 Writing in Art in America, artist and critic Peter Plagens stated that Naves was among "the critics who craft the most limpid prose these days."〔"Contemporary Art Uncovered", Peter Plagens, Art in America, February 2007.〕 Elsewhere, Naves has been described as a "wickedly talented critic"〔"Last Chance To Catch Carolina Clarion Call", Scott Lucas, Creative Loafing, October 26, 2010.〕 and a writer who "clearly know() something about the production side" of art-making.〔"Balancing Act", Ken Johnson, The New York Times, February 20, 2004.〕
His writings on visual culture can be viewed in his ongoing blog (''Too Much Art'' )
Naves recently turned to curating exhibitions, organizing (“Intricate Expanse” ), a group exhibition seen at Lesley Heller Workspace.
Naves has taught and lectured at Cooper Union, The New York Studio School, the University of Utah, The Painting Center, Rutgers University, Montclair State University, The National Academy of Design and The Ringling College of Art and Design. He currently teaches at Pratt Institute, Hofstra University and Brooklyn College.
Awards:
2015

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Mario Naves」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.